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Vous avez sélectionné:
For the ones who left us
Partitions à imprimer
11 partitions trouvées
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1
For the ones who left us (Violin and Guitar
For the ones who left us (Violin and Guitar
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Violon, Guitare (duo)
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INTERMÉDIAIRE
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Ronald James Karle
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For the ones who left us
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Ronald J Karle
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - SKU: A0.907791 Composed by Ronald James Karle. Concert,Contemporary,Instructional,Pop. Sco...
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Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - SKU: A0.907791 Composed by Ronald James Karle. Concert,Contemporary,Instructional,Pop. Score and parts. 2 pages. Ronald J Karle #4786245. Published by Ronald J Karle (A0.907791).
$2.95 ≈
2.75€
For the ones who left us.
For the ones who left us.
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Piano seul
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INTERMÉDIAIRE
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Ronald J
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For the ones who left us.
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Ronald J Karle
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.907790 Composed by Ronald J. Karle. Concert,Contemporary,Pop,Standards,World. Score. 2 pages. Ronald J Karle #4786241. Pu...
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Piano Solo - Level 3 - SKU: A0.907790 Composed by Ronald J. Karle. Concert,Contemporary,Pop,Standards,World. Score. 2 pages. Ronald J Karle #4786241. Published by Ronald J Karle (A0.907790).
$2.95 ≈
2.75€
Most Importantly, Loves, a song cycle for soprano and piano
Most Importantly, Loves, a song cycle for soprano and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Most Importantly, Loves, a son
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Adrienne Inglis
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis (ASCAP) #828940. Published by Adrienne Inglis (ASCAP) (A0.1233352). Sing one, two, or all six of these expressive and charming songs for soprano and piano!Most Importantly, Loves (2021) by Adrienne Inglis (ASCAP), as a six-song cycle for soprano and pianoText — six letters by Maureen Broy PapovichDuration 25:00Difficulty 4 intermediate/advancedProgram note — Most Importantly, Loves (2021), a song cycle for soprano and piano composed by Adrienne Inglis (ASCAP), was commissioned by Maureen Broy Papovich whose six letters furnish the text. She wrote letters to various close family members with tender messages overflowing with admiration, affection, and hope. The songs look at each beloved relative as seen through the prism of the author’s caring eyes and heart. Rooted in moody Dorian mode, the lyrical melodies of R. J. overlay a more brooding, restless piano part. Lucy sports a bit of a jazzy lilt and sassy attitude. The infectious laugh of Camryn and the remarkable resemblance to her late father underpin this quick syncopated C major number. Brendan reflects his exuberant love of life and devastating self-destructive addiction with radical tonality and tempo changes. Mira has an encouraging message for a young person in D mixolydian with soothing piano texture. Jonah’s long lines soar over lush expansive harmonies grounded in B flat major to form a soft fleece blanket of comforting sound and boundless unconditional parental love. — Adrienne InglisThe impetus for the poems that became the song cycle “Most Importantly Loves” started a decade ago. My brother died suddenly in 2011 at the age of 42. He left all of us behind including his daughters, my nieces, when they were ages six years and six months. My father and mother died a short time later, within months of each other in 2013 and 2014. Finally, in 2017 my 27-year-old nephew died of a drug overdose. This intense period of loss brought and continues to bring about many feelings of regret in addition to so much more. When my nephew died, my son Jonah, developed an intense anxiety about losing us, his parents. I felt compelled to express my feelings, the fear of my own mortality, the anxiety of leaving behind loved ones, combined with words said and unsaid to those lost. “Love letters” is my gift to the six young people I care most about. These songs, exquisitely set to music by my friend and composer Adrienne Inglis, express my deep love for each of my loved ones and also, hopefully, provide them with a piece of writing that they can use as a source of strength when life becomes particularly challenging. — Maureen Broy PapovichPlaylist of Oct. 22, 2022 performance:https://youtube.com/playlist?list=PLY9Jh0jT7VQsLBdIik5wJRjE6Qhu_5IZD.
$9.99 ≈
9.32€
Will the Circle be Unbroken - solo and piano
Will the Circle be Unbroken - solo and piano
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Piano, Voix et Guitare
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FACILE
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and by Oh by and by
Is
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Ada R Habershon and Charles H
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Connie Boss
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Will the Circle be Unbroken -
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801626 Composed by Ada R Habershon and Charles H Gabriel. Arranged by Connie Boss. Christian,Contemporary,C...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801626 Composed by Ada R Habershon and Charles H Gabriel. Arranged by Connie Boss. Christian,Contemporary,Country,Folk,Sacred. Score. 4 pages. Connie Boss #6322263. Published by Connie Boss (A0.801626). This arrangement is for solo and piano. It has a different piano accompaniment and the melody is changed just a touch. It is a song for a funeral or for bluegrass piece. cdboss@cvalley.netWill the Circle Be Unbroken Ada R Habershon and Charles H Gabriel Arranged by Connie Boss Refrain: Will the circle be unbroken By and by Oh by and by Is a better home awaiting In the sky Oh in the sky Verses: There are loved ones in the glory Whose dear forms you often miss When you close your earthly story Will you join them in their bliss? In the joyous days of childhood Oh they told us of His Love Pointed to the dying Saviour Now they dwell with Him above you can picture happy gath’rings round the fireside long ago and you think of tearful partings when they left you here below one by one their seats were emptied one by one they went away now the family is parted will it be complete one day?
$5.00 ≈
4.67€
Uma estrela no céu - Valse for Concert Band
Uma estrela no céu - Valse for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Thiago Osorio
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Uma estrela no céu - Va
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Thiago Osorio Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.946716 Composed by Thiago Osorio. Concert,Graduation,Standards,World. Score and parts. 66 pages. Thiago Osorio Music #6...
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Concert Band - Level 3 - SKU: A0.946716 Composed by Thiago Osorio. Concert,Graduation,Standards,World. Score and parts. 66 pages. Thiago Osorio Music #6503363. Published by Thiago Osorio Music (A0.946716). ''Uma estrela no céu'' (in english: ''A star in the sky'') is a beautiful waltz in honor of all the loved ones who passed away and left beautiful memories. It was composed in memory of my dear cousin Marcelo who left and was missed. Despite being a tribute to the people who were with us on this trajectory, it is a light waltz, with themes that bring an atmosphere of joy and love. With counterpoints and melodies dialoging between the suits, it is a piece that explores the sound of the suits and their fusions. Bringing joy and memories to listeners who will remember their loved ones who are stars in the sky today.
$25.00 ≈
23.33€
Oh Weep No More For Brave Boys Gone. Song & Chorus
Oh Weep No More For Brave Boys Gone. Song & Chorus
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Piano, Voix
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R
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Oh Weep No More For Brave Boys
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22285 Composed by R. Z. Salem. Civil War--Union, Patriotism, War casualties, Grief, Death. Lester S. Levy Collection. 4 pages....
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Piano and voice - SKU: LV.22285 Composed by R. Z. Salem. Civil War--Union, Patriotism, War casualties, Grief, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22285). Oh Weep No More For Brave Boys Gone. Song & Chorus. Words by Music by R.Z. Salem. Published 1863 by J.E. Gould, 7th & Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism, War casualties, Grief, Death. First line reads Friends have gone and left us pining, far away form loved ones dear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
(In The) Sweet By And By
(In The) Sweet By And By
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Piano Facile
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DÉBUTANT
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Musique Sacrée
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And By
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Bennett/Webster
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Large Print Sheet Music
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(In The) Sweet By And By
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Large Print Sheet Music
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1212600 Composed by Bennett/Webster. Arranged by Large Print Sheet Music. Christian,Praise & Worship,Religious,Sacred,Tra...
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Easy Piano - Level 1 - SKU: A0.1212600 Composed by Bennett/Webster. Arranged by Large Print Sheet Music. Christian,Praise & Worship,Religious,Sacred,Traditional. Score. 2 pages. Large Print Sheet Music #809971. Published by Large Print Sheet Music (A0.1212600). This is a simple, easy piano arrangement of the heavenly praise and worship hymn, In The Sweet By And By. It reminds us of God's promise of heaven, and being reunited with loved ones who have passed on before us. It is written in LARGE PRINT FORMAT to assist low vision musicians, and beginner pianists. It has a simple, single right hand melody, accompanied by one or two notes per measure in the left hand. It also includes the large print lyrics to the first verse. This is a lovely offertory, hymn, or funeral piece. Check out all of our other LARGE PRINT SHEET MUSIC titles available on Sheet Music Plus and Sheet Music Direct. New titles are added weekly!
$3.99 ≈
3.72€
The Last Rose of Summer, Op.73 - Thalberg
The Last Rose of Summer, Op.73 - Thalberg
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Piano seul
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AVANCÉ
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Classique
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Sigismond Thalberg
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Editions Melodia
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The Last Rose of Summer, Op.73
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James Keenan
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SheetMusicPlus
Piano Solo - Advanced - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by James Keenan...
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Piano Solo - Advanced - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by James Keenan
Originally a poem written by Thomas Moore in 1805, "The Last Rose of Summer" is based upon the Irish traditional tune of "Aislean an Oigfear", or "The Young Man's Dream."
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing.[57] He was greatly in fashion and was imitated by others.[58] In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mos? and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard.'
$3.00 ≈
2.80€
TE DESEO LO MEJOR
TE DESEO LO MEJOR
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Voix basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sonny Rios
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TE DESEO LO MEJOR
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Sonny Rios
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SheetMusicPlus
Low Voice,Vocal Solo - Level 4 - SKU: A0.962937 Composed by Sonny Rios. Broadway,Concert,Film/TV,Holiday,Latin,Love. 6 pages. Sonny Rios #4310469. Publi...
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Low Voice,Vocal Solo - Level 4 - SKU: A0.962937 Composed by Sonny Rios. Broadway,Concert,Film/TV,Holiday,Latin,Love. 6 pages. Sonny Rios #4310469. Published by Sonny Rios (A0.962937). TE DESEO LO MEJOR (Low Voice): Te deseo lo major (I wish you the best) is a love song composed and written by Sonny Rios. The Spanish lyrics deal with someone who has been left for another, but, nonetheless, wishes the best to the one who left. The song is for solo Low Voice and has a range of Bb3-Eb5, and is read in the treble clef for the benefit of both altos and bass/baritones. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99 ≈
5.59€
Romance et tude (Romance and Etude), Op. 38 - Thalberg
Romance et étude (Romance and Etude), Op. 38 - Thalberg
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sigismond Thalberg
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Editions Melodia
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Romance et étude
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James Keenan
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Etudes and...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Etudes and Exercises, Technique Training, Recital. Score, Sheet Music Single. 14 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mos? and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
$1.99 ≈
1.86€
Berceuse (Lullaby or Cradle Song) - Thalberg
Berceuse (Lullaby or Cradle Song) - Thalberg
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Piano seul
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INTERMÉDIAIRE
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Sigismond Thalberg
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Editions Melodia
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Berceuse
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James Keenan
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Repertoire, Recital. Score, Sheet M...
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Piano Solo - Intermediate - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Repertoire, Recital. Score, Sheet Music Single. 5 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mos? and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
$1.99 ≈
1.86€
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For the ones who left us
